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The triumph of the juvenile

It seems a shame that Ian Fleming, whose James Bond novels — which nobody (including the screenwriters and directors) seems to read these days — couldn’t live long enough to witness the full impact of his creation on world culture and the visual arts. The Bond movies have transcended their literary originals to become a […]

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Swedish surrealism via Peru and Python

Before going largely unnoticed during its extremely limited theatrical release last August, Songs From the Second Floor was a Jury Prize-winner at Cannes in 2000 and an invitee to Roger Ebert’s 2001 Overlooked Film Festival. Floor  took Swedish writer/director Roy Andersson four years to complete. (And you thought you waited a long time for Stanley […]

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Bisset shines in sleepy ‘Gal’

“There just aren’t any good roles for women.” Now there’s a complaint you don’t hear too much anymore. It may no longer be an issue when actresses like Sissy Spacek, Nicole Kidman and Renée Zellweger — all of whom did amazing work last year — still go home empty-handed at the Oscars, while Denzel Washington […]

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They’re back and in black again

In its own accidental, absurd, and strictly for-profit way, Men in Black II provides something of a service for the movie audiences of today, suggesting some perhaps unsuspected truths and a continuing metaphor for its time and place. Following the amazing success of the first film (it was the biggest hit of 1997), the second […]

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Mr. Pink comes to Rochester

Steve Buscemi, one of the greatest character actors of his generation, will come to the Dryden Theatre on Saturday, July 13 to introduce local film fans to the latest phase in his plan for cinematic world domination: direction. You may know him as the squirrelly guy from Fargo, the guy with the crazy eyes from […]

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John Sayles tries Robert Altman

In the course of his relatively long but somewhat subdued career in the cinema, John Sayles has pretty much done it all, and now and then even, as they say, had it all. Beginning, like a lot of filmmakers of his generation, with an apprenticeship with the legendary schlockmeister Roger Corman, he may not have […]

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The last of the old thrillers

Because motion pictures require a good deal of time to plan, finance, produce, edit, publicize, and release, The Bourne Identity, a typical espionage thriller dealing with violent international intrigue, lags far behind current events and contemporary awareness. Although calling the picture “a 21st century spy film,” the folks who put the whole complicated, expensive project […]

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