REVIEW | ‘The Odyssey’
“Is Christopher Nolan Catholic?” That’s the first thing I Googled upon exiting “The Odyssey.” As a director, Nolan has built a filmography around tortured men: atomic-bomb patriarch J. Robert Oppenheimer; dream wanderer Dom Cobb in “Inception;” marooned Joseph Cooper in “Interstellar.” But Nolan’s latest protagonist, the Greek hero Odysseus, endures a barrage of suffering so…
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