The Patrick Jaouen Band’s latest release plays out like a dark ballet.
Music
Gaelen McCormick and ‘The Pandemic of Creation’
Former RPO double bassist Gaelen McCormick’s struggles with hearing loss inform her new book with Sraddha Prativadi, “The Pandemic of Creation: Recognizing freedom in Loss and Opportunity in the Void.”
Album review: ‘Remember the Titan’
Rochester rapper Blast Blicka’s unhurried and straightfoward sixth album, “Remember the Titan,” features some inspired production and a steady vocal delivery, but is undermined by transphobic elements.
Album review: ‘Haishen’
On its three-song debut, the Rochester trio Haishen has created a sprawling post-rock sound that relies heavily on progressive metal aesthetics, as well as slowly unfolding and unpredictable song structures.
Album review: ‘Bust Out!’
The Fox Sisters’ new album”Bust Out!” leans heavily toward vintage American rock ‘n’ roll, with nods to Sam Cooke and Wilson Pickett.
Album review: ‘Layers’
Animal Sounds wastes no time getting down to it on its new EP.
Prime Time Funk releases timely music video during turmoil
In the midst of racial injustice and a global pandemic, the 10-piece band Prime Time Funk has released a socially distanced music video for its still-relevant song, “Whatcha Gonna Do (When the World’s on Fire).”
The F Word: Major record labels engage in one-day music shutdown
In solidarity with the black community in light of recent police brutality, music industry leaders have hit the pause button.
Album review: ‘House Music’
โHouse Musicโ by Billy Martin’s solo project No Glitter, is an artsy synth exploration that takes Martin to the outer limits of creativity and his mind.
Utility player
Eastman School professor Gary Versace’s roles on multiple instruments, in concert halls and on records, span the globe and several genres.
Album review: ‘Flyover Country’
Far from a standard jazz outing, saxophonist Amanda Gardier’s second album, “Flyover Country,” is full of inventive improvisation.
Album review: ‘Impressions in Blue and Red’
On jazz guitarist Alex Goodman’s new album, “Impressions in Blue and Red,” he draws a bold parallel between color and music across two discs.






