Performed by RAPA Family Theatre, “James and the Giant
Peach: The Musical” comes from Tony-nominated composing team BenjPasek and Justin Paul (“A
Christmas Story: The Musical”). An adaptation of the beloved Roald Dahl book,
the musical combines aspects of Dahl’s book and the
1996 film, adding in a plethora of new songs (it should be noted, these aren’t
the same Randy Newman compositions featured in the film) and condensing the story
for younger audiences.
As is typical of Dahl, there’s a fair amount of darkness in
the story of young James (Katherine Mary Chalone),
who’s orphaned after his parents are unceremoniously eaten by a giant
rhinoceros. He’s taken in by his horrid aunts Spiker (Lois Fiegl)
and Sponge (Pebble Kranz), who treat him as
slave labor. But he soon escapes his miserable existence thanks to some magical
crocodile tongues, an enormous peach, and the collection of friendly bugs who
reside inside it.
Credit where it’s due, “James” is an ambitious choice for any
theater group without a budget of millions of dollars at their disposal. In
telling its whimsical tale, the show calls for puppetry, detailed costumes and
elaborate sets, and while these aspects aren’t exactly requirements, they do
help things considerably. Here, the minimized props and sets force cast and
crew to rely on some imaginative staging that’s occasionally a bit too
imaginative, leading to several scenes in which characters have to explain
exactly what’s supposed to be happening. The results seemed to perplex several
of the children seated near me. Still, the performances are spirited, and the
bright, colorful production design is fun. If you’re looking for a Fringe show
for the entire family, “James” makes for a pleasant diversion.
“James and the Giant Peach: The Musical” will be performed
again on Monday, September 21, at 7 p.m.; Thursday, September 24, at 7 p.m.;
and Saturday, September 26, at 2:30 p.m. School of the Arts’ Allen Main Stage
Theatre. $16. Appropriate for all ages.
Back in 1988, before “The West Wing” and his Oscar win for
“The Social Network,” writer Aaron Sorkin took a crack at live theater. Along
with “A Few Good Men” (which is on stage at Blackfriars
Theatre) Sorkin also wrote the one-act Hollywood satire “Hidden in this
Picture.” Rochester Community Players is performing the play, about a director
(Bobby, played by Jeffery Jones) and writer (Jeff, portrayed by Patrick White)
team in the midst of shooting their first feature film.
Their movie, an existential war movie about disillusioned
marines stationed in Guam, is three weeks behind schedule and $6.5 million
over-budget. But now all that’s left to complete is the final shot of the film —
an elaborate, 11-and-a-half-minute single take featuring 694 extras running
down a hill, timed to coincide with the setting sun. Every detail of the shot
is worked out, and all that needs to happen is to let the cameras roll. Then
three cows meander into the middle of the director’s perfectly-composed frame.
Hilarity ensues, and the subsequent breakdown leads Bobby and Jeff to
reevaluate their careers, their professional and personal relationship, and the
compromises that are required to make a living in the arts. With its bare-bones
staging, the focus is all on the acting, and this production features some of
the best performances I’ve seen at the Fringe thus far. Each member of the
small ensemble (rounded out by Eddie Coomber and Mark
Casey as a dim assistant director and frazzled manager, respectively) get their
moment to shine. A small, “Hidden” gem in the Fringe lineup.
“Hidden in this Picture” will be performed again on Saturday, September 26, on the TheatreROCS stage. 6 p.m. $10. Appropriate for ages 13 and older.
[SLIDESHOW-1]
This article appears in Sep 16-22, 2015.
