A story more than a decade in the piecing, Tate Shaw’s artist book, “The Ground,” is a beautiful meditation on time, the land, the many powers of water, and the efforts to make sense of our varied experiences in this world, and our place within it. Through August 2, Spectrum Gallery is hosting an exhibit of […]
photography
Perception of people and place
In the Eastman House’s Entrance Gallery, 23 images make up “Of Time and Buildings,” an exhibit exploring the relationship between images of our constructed world and how we experience place. Inevitable, unstoppable shift is a theme throughout the show, depicted both physically and metaphorically. James Casebere’s “Monticello #3” is a quiet interior image of a […]
“Lossless”
Limited as we are, humans will forever grasp at some intangible and possibly nonexistent mode of perfection — a perfect experience, or perfect conveyance of action, of story, and of meaning. As we use technology to hook and drag ourselves forward in time, it provides enhanced tools for interpreting and conveying our experiences. But sometimes, […]
“Of the Ordinary”
Without the few wall-mounted paragraphs, which provide minimal information about each of the artists and their corresponding projects featured in the show, the current exhibit at Visual Studies Workshop would merely be a collection of baffling pictures unattached to meaning, an almost alien encounter. “Of the Ordinary” is made up of photographic imagery, largely unshackled […]
“The History of Space Photography””Astro-Visions”
“Yearning” is a good word, to sum it up. Since we gained consciousness, humans have gazed with wonder out into the fathomless depths of the sky, in search of some unknowable creator, to begin to understand the complex laws that govern this existence — and ultimately to better understand ourselves and our place in this […]
ART REVIEW: “Transmutations: Photographic Works by Carl Chiarenza”
Of the transmission of experience through art, poet Robert Frost wrote, “No tears in the writer, no tears in the reader. No surprise in the writer, no surprise in the reader.” Though renowned photographer Carl Chiarenza creates abstract works that are purposefully open to viewers’ interpretations, the crystallized emotional experience of the artist is present […]
Heavy mettle
I’m fascinated by the way people like Gareth Fitzgerald Barry view the world. The recent RIT graduate and emerging artist works for Atlas Builders, a construction company subsidized by the government to revitalize the inner-city landscape with new single-family housing. It’s easy to see where his field of work has influenced his art — Barry […]
The Bridges between film and photography
An intimate exhibition of black-and-white photographs by Jeff Bridges opened at the George Eastman House in July. Whether entirely intentional or not, the exhibit is a subtle companion to Site Seeing: Photographic Excursions in Tourism. It continues to foster our ongoing romance with photographs, and perhaps more importantly, with photographic memory. Pictures is a […]
Bending science into art
After a long, harsh winter, the April ice storm was enough to leave most Upstate New Yorkers exasperated. But scientific photographer Ted Kinsman was having the time of his life. “I shot 60 images on Friday morning; then I went out and shot another 200,” Kinsman says. “It was very good. A lot of […]
Images for a lifetime
In one of Charles Arnold’s most memorable self-portraits, the artist stares at the viewer while surrounded by an eclectic array of items: an animal skull, an otherworldly plant, and a piece of architectural ornamentation. But the strangest presence in the print, also staring out (though somewhat cross-eyed), is Arnold’s hero, Wile E. Coyote. “Road […]
Questioning the Native American image
Walk through The
Master Prints of Edward S. Curtis at George Eastman House and you will find
beautiful prints with compelling subjects. But beware, you’re not supposed to
like this work too much.






