Described by Swedish director Roy Andersson as the third part in his trilogy of films about “being a human being,” the surreal “A Pigeon Sat on a Branch Reflecting on Existence” is a comedy for existentialists. The film unfolds as a series of vignettes (ranging from one to 10 minutes), filmed in a single, static […]
Roy Andersson
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Film Review: “A Pigeon Sat on a Branch Reflecting on Existence”
Described by Swedish director Roy Andersson as the third part in his trilogy of films about “being a human being,” the surreal “A Pigeon Sat on a Branch Reflecting on Existence” is a comedy for existentialists. The film unfolds as a series of vignettes (ranging from one to 10 minutes), filmed in a single, static […]
