Posted inMusic

REVIEW | ‘Brutalist’ by Andrew Cloninger

There is a lot to process on Andrew Cloninger’s new album, “Brutalist.” Processing, in fact, could serve as the guiding concept behind the album. Song titles like “Archive” and “Field Notes” suggest raw sonic material of various sorts underwent a careful process of refinement, sifting or even distilling. Instead of clean, repeatable melodies and chord […]

Posted inMovies

REVIEW | ‘The Odyssey’

“Is Christopher Nolan Catholic?” That’s the first thing I Googled upon exiting “The Odyssey.” As a director, Nolan has built a filmography around tortured men: atomic-bomb patriarch J. Robert Oppenheimer; dream wanderer Dom Cobb in “Inception;” marooned Joseph Cooper in “Interstellar.” But Nolan’s latest protagonist, the Greek hero Odysseus, endures a barrage of suffering so […]

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REVIEW | ‘Rosa do Inverno’ by Rosa Boemia

For the uninitiated, Rosa Boêmia is sultry summer samba, sans singing. The Rochester three-piece’s name translates from Portuguese to English as “bohemian pink,” and they play choro, an upbeat, classical style of Brazilian music with roots in 19th-century Rio de Janeiro. If you’re unfamiliar with choro (as I was), “Rosa do Inverno” is a great […]

Posted inMovie Reviews

REVIEW | ‘The Invite’

The latest directorial effort from Olivia Wilde (“Booksmart,” “Don’t Worry, Darling”) pulls off, with great success, something that few recent films with similar pedigrees — smaller, successful distributor; A-list cast; hybrid genre — have managed: actual humor amidst emotional stakes.  It helps that Wilde helmed one of the best, if underrated, teen comedies of the […]

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