Elizabeth Short and
me
If you’re a true noir
fan, if Chandler is your Shakespeare, if visions, of guns, gams, dolls, pimps,
pachucos, roustabouts, hop-heads, hustlers, switchblades, gin-joints, and
jive-talkers dance in your head, then you know about the Black Dahlia.
The Black Dahlia was
the name the press gave Elizabeth Short; an unfortunate wanna-be starlet-to-be
from back east who was found cut in half, gutted, and disfigured in 1947 Los Angeles. The fervor
around her murder, the way it was carried out, and the way the murderer taunted
the police, was perhaps the first big leap into 20th century tabloid culture.
This sensationalism and the sleaze that created it, the sleaze it was, and the
sleaze it attracted still gets crime buffs off to this day.
There have been
various theories, confessions, and exposรฉs written over the years about the
Dahlia, including the just-released big-screen version. But the crime is
officially unsolved, the answers and conclusions fading further and further
into obscurity. Despite all the buffs that pour over yellowed clips and clues,
Short will never see justice.
Most compelling, I
believe, is the context the crime scene photography creates: stark, graphic,
black-and-white studies of immense brutality in an era of renewal and
prosperity (this was post-WWII L.A.,
after all). Black-and-white photography usually illustrates “the good ol’
days.” The Black Dahlia murder proves there really weren’t any. In black and
white blood is black and a lot more foreboding. I’ve always felt red blood
still has the hint of promise found in its color.
It would probably be
in poor taste to refer to myself as a fan of this event. But I do have a morbid
curiosity, a fascination with sex when it’s completely out of control, and a certain degree of pity for a young girl who
just wanted to be loved, to be famous. Instead she wound up cruelly chewed up
in a killer’s mania and forever infamous, with the tabloids devouring what
little dignity she might have ever had.
So you can chalk my
Black Dahlia proclivities to a twisted appetite for lust, rage, murder, and
mayhem all from a safe distance the years afford me. I mean, murders like that
don’t still happen, do they?
This article appears in Sep 20-26, 2006.






