Just months after having his talents utterly wasted on “The
Mummy,” Tom Cruise gets one of the best roles he’s had in years with the
true-crime black comedy “American Made.” Reteaming with his “Edge of Tomorrow”
director, Doug Liman, Cruise and company tell the story of Barry Seal, a TWA
pilot who–eager to make a quick buck–found himself embroiled in some of the
U.S. government’s shadiest dealings throughout the 1980s.
As
demonstrated with their last collaboration, Liman knows exactly how to use
Cruise’s movie star charisma to subvert audience expectations. Deploying his
trademark megawatt smile at every opportunity, Cruise charms even when proving
that Seal isn’t the most likeable of guys. He’s also a thrill seeker who, as
the film opens, is bored enough in his day job that he spices things up by
faking some turbulence in the middle of a red eye, just so he can jolt his
sleeping passengers awake.
So when he’s
approached by a CIA pencil-pusher named Schafer (a delightfully slimy Domhnall
Gleeson) to fly through South America taking aerial photos that would help the
U.S. government keep tabs on the region’s various communist groups, Seal jumps
at the opportunity. From there, he’s soon a liaison to Panamanian dictator
Manuel Noriega, parlaying that into a bit of drug smuggling for the Medellรญn
cartel, then running guns to the Contras in Nicaragua. Serving these
ever-shifting masters makes Seal very, very rich along the way.
At a certain
point, the exact path of what’s getting delivered where and to whom gets
intentionally convoluted; it’s Liman and screenwriter Gary Spinelli’s way of
emphasizing what a tangled, messy web it all was. At key points throughout the
film, various characters ask the question “is this illegal?”, and get the
answer “as long as you’re working for the good guys.” Of course, the film is
smart enough to realize that “good guys” really means “whoever’s currently in
power.” We’re following an amoral scumbag who only thinks he’s a hero.
Meanwhile,
Seal’s wife Lucy (played by Sarah Wright, in what’s hardly the most egregious
example of a pretty young actress being paired with a veteran actor far too old
for them, but it’s still distracting) is wary at first, but once she’s able to
enjoy the extravagant lifestyle her husband’s actions are able to afford her,
she grows much more acquiescent.
While
“American Made” doesn’t reach heights of “The Wolf of Wall Street” (the recent
gold standard in bitterly funny tales about the decaying of the American
Dream), it tells a fascinating story with style and flair, and it zips by as we
wait patiently to see if Barry Seal’s unsavory activities will catch up with
him. Liman doesn’t dig too deeply, sacrificing some of the teeth Martin
Scorsese gave “Wolf,” but when you’re being blinded by that Tom Cruise grin,
you barely even notice.
Judi Dench and Ali Fazal in “Victoria & Abdul.”
PHOTO COURTESY FOCUS FEATURES
This article appears in Oct 4-10, 2017.
