I climbed into the
jalopy and pointed it downtown. Destination: HochsteinMusicSchool. You’d think that’d be relatively simple; drive to show,
dig show, split. The daily bustle ‘n’ grind complicates the whole procedure but
that just makes the music that much sweeter.
I dodged the
kamikazes and pot holes on Lake Avenue, just scraping by a radar trap by Holy Sepulchre. Waited
for pedestrians as they moseyed slow-like through crosswalks. Avoided crushing
a skateboarder. Searched for parking, eventually finding a spot three blocks
away. Stopped and dug the zoot suits in Goldstein’s window. Jaywalked through a
barrage of lunchtime motorists with murder in their eyes and made it to
Hochstein just in time to catch their Noon Time From Hochstein performance.
Peace.
Quiet. Beautiful music. Hochstein offers these live performances (and
broadcasts them in stereo on 91.5 WXXI) for free every Wednesday at noon. This past
Wednesday it was woodwind quintet Antara
Winds introduced by host Mordecai Lipshuttz, a man with one of the best
voices (and names) in radio anywhere. There is only one Mordecai Lipshuttz.
Antara
Winds played liltingly and light. The multiple melodies that they presented
within each tune wove into a cohesive and beautiful strain. I didn’t try to
understand, just to enjoy. Besides, bassoons always make me smile for some
reason. I left refreshed and ready to dive back into the blender and fray outside.
Saturday night and The Atomic Swindlers were swindlin’
about 200 fans at Milestones. They played crowd favorites like “Space Bandit”
and showcased a few new tunes. The fresh material still has the band’s pop,
wit, and groove but exhibited an emerging serious side. I guess the sign of a
good song is when it sounds simple despite its complexity. And bottom line,
this is just a really fun band to watch. Sure, everybody’s watching singer
April Laragy do her thing up front, but equally mesmerizing was guitarist Chris
Yockel. Yockel braved new frontiers picking out soundscapes full of delay and
phase, even pushing to a full feedback sustain reminiscent of Mick Jones on London Calling. Yockel is truly what drives this band’s incredible sound.
— Frank De Blase
This article appears in Apr 12-18, 2006.
