You have certain expectations when a band has the word “hellraisers”
in its title.
So, Rochester, let me tell you a little story about Dwayne Dopsie & The ZydecoHellraisers.
The band came out on the Big Tent stage Thursday night jamming, but with
accordionist and front man Dopsie nowhere to be seen. His saxophonist jumped
right into the crowd, getting the partying and dancing started as the rest of the
band worked to pump things up. Electric guitar blaring,
washboard rocking up and down, metal clicking and clanking.
Not your typical start to a concert.
And then, like waiting just the right amount of time before pulling the
curtain back on a play, Dopsie walked — no, pranced —
out on stage, picked up the accordion, and started blowing the crowd’s faces
off, one at a time. He didn’t raise hell, he strode
into it, kicked out Beelzebub, tore the place down, and rebuilt it as an altar
to sweaty, zydeco-fueled rock parties made from the
underworld’s ashes.
That said,Dopsie’s solos
were more like something out of heaven, surrounded by the loud and raucous band
behind him. But boy, he played the living shit out of that squeeze box. There’s
a reason he refers to himself as the King of Accordion, a title he earned
making all the crowd members vassals in his new
kingdom.
And that was all while chewing gum. Some people can’t walk and chew gum at
the same time. Dopsie was cool as can be on stage,
yet the sweat was pouring from his head as his fingers flew faster than blazes.
At one point during another player’s solo, Dopsie
ran off stage, started a dancing line around the tent, and sorry to break the
journalistic fourth wall, but as I ran over to grab a shot, he stopped,
posed with the fan he was with, shook my hand, and danced away.
Classy as always, folks.
I left thinking that Dwayne Dopsie & the ZydecoHellraisers are to zydeco what Flogging Molly is to Irish music, what Gogol Bordello is to gypsy music, and what awesome is to
awesome music. It was one of the best groups, if not THE best group, I’ve ever
see at the Jazz Fest, and an amazing performance of the musical arts.
Earlier in the night, I also got to check out TerjeRypdal
& The Bergen Big Band at Xerox
Auditorium. The group was dark, ambient, tonal, and moody, which stood out
amongst most other acts at the festival. It scratched my itch for the low end
of the musical register, though I didn’t think it would be at the hand of a
group’s clarinet section, which started off the show and eerily danced among
the lower ranges of woodwind sound.
The group produced some weird, weird stuff, and that’s why it stood out. It
was almost spooky in its arrangements. And like a good thriller, the show
gripped my attention; it put listeners on the edge of their seats, never
knowing which twists or turns (or goblins) would be around the next corner.
And last but not least, I got to see Rochester
blues band the Barrel House Blues Band on the Fusion Stage.
The group was as hot as the weather, combining rocking blues guitar and great
blues vocals. I know it’s a little easy, but I just can’t resist: the group was
a barrel of fun.
Looking for more of City’s Jazz Fest coverage? Click
here for City’s 2012 Jazz Fest Guide, click here for
our Jazz Blog landing page, or Like City on Facebook or
follow us on Twitter @roccitynews.
This article appears in Jun 27 – Jul 3, 2012.
