The Rochester Philharmonic Orchestra announced this afternoon
that its Board of Directors and the Musicians’ Negotiating Committee have
approved a new four-year musician agreement. The full press statement appears
below.
Although details of the contract were not disclosed, the release states that the musicians will make “painful concessions” (per the Musicians’ Negotiating Committee Co-Chair) in the first two years, and “restorations” in the third and fourth.
RPO Spokesman Mark Berry added that the new contract calls for significant cuts in the number of concerts scheduled during summer seasons, and some changes in health-insurance coverage for the musicians and the RPO administrative staff. The number of concerts taking place in the regular seasons will remain the same.
The release also included a statement by RPO CEO Charles Owens referencing the orchestra’s recent challenges. “The new contract with RPO musicians gives us all
reason to be optimistic,” Owens says.
OFFICIAL STATEMENT:
Board of Directors and Musicians’ Negotiating Committee
Rochester Philharmonic Orchestra
January 14, 2013
The Board of Directors and the Musicians’ Negotiating
Committee of the Rochester Philharmonic Orchestra (RPO) jointly announced today
that they have approved a new four-year Collective Bargaining Agreement (CBA).
Details of the CBA were not announced.
“The RPO is blessed with an artistically excellent group of
musicians; the Board of Directors is exceedingly pleased that those musicians
have once again agreed to continue collaborating with us on producing
consistently thrilling performances for our audiences,” said Board Chair,
Elizabeth Rice. “It is the RPO musicians who make us what we are.”
“The contract negotiations were arduous and
methodical,” says Musicians’ Negotiating Committee Co-Chair Wesley Nance,
“but ultimately the contract was ratified by more than a 75 percent
margin. The agreement includes painful concessions in the first two years, with
restorations in years three and four. It recognizes the tough financial
challenges of the organization, while trying to meet the needs of the
musicians. It is our hope that we can work together to continue to make the RPO
successful and avoid the problems that have befallen other orchestras around
the country.”
“We have been experiencing a challenging time for the RPO,
its musicians and staff, and the board,” said President and
CEO Charles H. Owens. “The new contract with RPO musicians gives us all
reason to be optimistic–as does the recent outpouring of audience and community
support. The goal-topping ticket sales for our holiday performances, the
sold-out shows this past weekend, and the success of our annual campaign, all
give us great confidence that the RPO can look forward to a bright and exciting
future.”
As Mr. Owens mentions, the RPO’s annual campaign for the
2012-2013 fiscal year stands at $1.6 million as of January 11, some $184,000
ahead of the 2011-2012 campaign at the same time last year.
The RPO has also seen interest in its concerts rise
recently. Single-ticket revenue ranged from 101% to 116% of goal for the
performances over the holiday period, beginning with The Nutcracker on November
23-25 and ending with Gala Holiday Pops, December 21-23 (an especial hit, with
two sold-out shows and ticket revenue exceeding last year’s total by 16%).
Between these perennial Rochester favorites were performances of Handel’s Messiah,
Vivaldi’s Four Seasons, and a children’s concert featuring the British film The
Snowman. Single-ticket revenue totaled just under $590,000 (103% over goal),
and attendance exceeded 27,000.
Last weekend’s RPO Pops performances with Chris Botti were both sold out, and ticket sale revenue exceeded
goal by over $35,000.
These concerts and their popularity show the many different
facets of the RPO and is a testament to our musicians’ versatility and
talent. As Board Chair Elizabeth Rice puts it, “The RPO is an institution
made up of many people working together.”
This article appears in Jan 9-15, 2013.







“the contract was ratified by more than a 75 percent margin….the RPO’s annual campaign for the 2012-2013 fiscal year stands at $1.6 million as of January 11, some $184,000 ahead of the 2011-2012 campaign at the same time last year… Single-ticket revenue ranged from 101% to 116% of goal for the performances over the holiday period, beginning with The Nutcracker on November 23-25 and ending with Gala Holiday Pops, December 21-23 (an especial hit, with two sold-out shows and ticket revenue exceeding last year’s total by 16%)….Last weekend’s RPO Pops performances with Chris Botti were both sold out, and ticket sale revenue exceeded goal by over $35,000.”
Perhaps after all the future of the RPO doesn’t depend on a single conductor.
No one ever said that the entire financial future of the RPO depends on ANY one person, James, or Chiam, or whoever you are. But if you uncritically accept those figures, you are much more innocent than I ever would have believed! Mark Twain said: “There are 3 kinds of lies – Lies, lies and damned statistics.”
The Holiday concerts rarely include the Symphonic conductor, and are the best-selling of the entire season. Chris Botti has been here before, and sells out, but this time they spent WAY more than they usually do on his advertising to fill those seats. There are normally no tickets left the week before. But there were this year. Nevertheless, I am glad they sold well, whatever the net. I love the RPO, and I love the music. I do not love incompetent leadership and the untimely and wrong-headed removal of an excellent conductor of world renown.