We’re
going to break from movie preview dogma a little bit here. Usually, I refuse to
write about sequels or remakes. But one of each will be discussed in the
following.
ย ย ย ย ย ย ย ย ย I
don’t know what to call Quentin Tarantino’s second installment of Kill Bill, since it’s both a sequel
(technically) to Vol. 1 and a remake
(of every Shaw brothers’ wuxia film), so feel free to categorize that any way
you deem fit. And then there’s Gus Van Sant’s Elephant, which in a way is a remake of the Columbine tragedy.
ย ย ย ย ย ย ย ย ย But I
draw the line at previewing Starsky and
Hutch, even though I still want to see it really badly.
Kill Bill,
Vol. 2
Release date: February 20
The skinny: We know the Bride (Uma
Thurman) was beaten, shot, and left for dead by her former coworkers, and that
she managed to off two of them after waking from a four-year coma. Vol. 2 will, presumably, pit the Bride
against Elle Driver (Daryl Hannah), Budd (Michael Madsen), and the eponymous
Bill (David Carradine).
Target audience: People who like the Shaw
brothers, spaghetti westerns, and gallons of spurting blood.
Blockbuster potential: The first film didn’t
exactly set the world on fire, but the word of mouth was strong, and it’s
appearing on a lot of critics’ top-ten lists (this one included). In other
words, moderate.
Oscar contender? There’s a reason Bill‘s halves were released in two
different years. In other words, yes.
The Passion of
Christ
Release date: February 25
The skinny: Everyone already has an
opinion about Mel Gibson’s directorial follow-up to the Oscar-winning Braveheart, and the loudest voices
belong to those who haven’t even seen it yet. Jim Caviezel plays Jesus Christ,
and the film shows the last 12 hours of the carpenter’s life.
Target audience: People with open minds who
are able to separate movies from reality. Also, people who enjoy subjecting
themselves to things they know will upset them.
Blockbuster potential: Of the aforementioned
target audience, there aren’t a lot of the former, but latter might make up for
it. Should be mixed.
Oscar contender? If it’s really as
anti-Semitic as everyone thinks it will be, then probably not.
Dirty Dancing:
Havana Nights
Release date: February 27
The skinny: This is the part of the
movie preview where I pick the stupidest-sounding movie on the schedule, and
this time the “winner” is this sequel to the Patrick Swayze-Jennifer Grey
blight on humanity. Or is it a remake? Who cares, so long as there are two attractive
young people who dance, dance, dance the night away?
Target audience: Imbeciles and ultramaroons.
Blockbuster potential: You know the dopes who saw
the original? They’re coming back, and they’re bringing their kids with them
this time.
Oscar contender? Not unless they invent a
new category called Best Dumb Idea.
Spartan
Release date: March 12
The skinny: Writer-director David Mamet
(Heist) is back with yet another taut
thriller revolving around double crosses and William H. Macy. Val Kilmer plays
a secret agent who must liberate the president’s daughter from a group of
kidnappers. But are things that simple? With Mamet, you can bet they won’t be.
Target audience: Anyone who hasn’t eaten rat
poison after reading about Dirty Dancing:
Havana Nights.
Blockbuster potential: Slim. Kilmer hasn’t had a
hit in so long, it hurts.
Oscar contender? Mamet is always a threat
for his screenplays.
Jersey Girl
Release date: March 19
The skinny: Stop thinking of it as
another Gigli-ish Ben-and-Jen movie.
Instead, herald this film as the latest Kevin Smith offering (and when was the
last time he let you down?). Affleck is a publicist in the music business whose
life as he knows it comes to a screeching halt when he spawns with Lopez.
Target audience: Kevin Smith fans who aren’t
frightened away by the presence of J.Lo.
Blockbuster potential: Don’t count on it.
Oscar contender: Unlikely.
Eternal
Sunshine of the Spotless Mind
Release date: March 19
The skinny: Screenwriter-of-the-century
Charlie Kaufman (Being John Malkovich,
Adaptation) returns with another
wacky story, this one directed by his Human
Nature helmer, Michel Gondry. Jim Carrey plays a guy who decides to have
his girlfriend (Kate Winslet) erased from his memory, only to change his mind
and “smuggle” his recollections into odd parts of his brain.
Target audience: The hip and the edgy.
Blockbuster potential: Too weird to be a hit.
Oscar contender? A sure screenplay
candidate.
The
Ladykillers
Release date: March 26
The skinny: Those wacky Coen brothers
remake the 1955 comedy about a criminal genius (Tom Hanks) who attempts to
tunnel from a rented room in a New Orleans house to a riverboat casino for
purposes of robbery. But his frail old landlady (Irma P. Hall) has other ideas.
Target audience: Fans of somewhat
sophisticated comedy.
Blockbuster potential: Moderate.
Oscar contender? The Coens haven’t been in
the big race for a while, but nobody can get filmmakers on track like Hanks.
At
the arthouse
The Triplettes
of Belleville
Release date: January 30
The skinny: A surefire Oscar nominee
and Finding Nemo‘s only real
competition in the best animated Picture category, this French
import blends musicians, dancers, kidnapping, dogs, and the Tour de France into
a film Roger Ebert called “creepy, eccentric, eerie, flaky, freaky, funky,
grotesque, inscrutable, kinky, kooky, magical, oddball, spooky, uncanny,
uncouth, and unearthly.”
RIYL (recommended if you
like): Ebert also said he couldn’t think of another film like it.
The Fog of
War: Eleven Lessons of Robert S. McNamara
Release date: TBD
The skinny: Documentarian Errol Morris
points his amazing interrotron at former Secretary of Defense Robert S.
McNamara and gets all kinds of interesting information about Vietnam, the Cuban
Missile Crisis, and the firebombing of Japan during World War II.
RIYL: American politics, history,
or Morris’s unique and fascinating documentary style.
Monster
Release date: TBD
The skinny: Charlize Theron dons 25
pounds and lots of unflattering makeup to portray Aileen Wuornos — this
country’s first female serial killer — in this biopic that is blessed with a
plumb lead performance and not much else. Christina Ricci costars as — what
else? — an irritating, morally ambiguous person!
RIYL: Gritty performances in
empty films.
The Company
Release date: TBD
The skinny: Fresh from closing night at
the High Falls Film Festival, Robert Altman’s latest is a fly-on-the-wall drama
set in Chicago’s Joffrey Ballet Company, where a young dancer (Neve Campbell, a
former ballet star in real life) is given the lead role in a new production.
Malcolm McDowell plays the hammy company director.
RIYL: Steven Soderbergh films,
the French documentary To Be and to Have.
Osama
Release date: TBD
The skinny: Another High Falls vet, as
well as a triple Cannes winner, Afghanistan’s official entry to the Oscars, and
the first post-Taliban film to be made in that country. It’s about a young girl
who is forced to chop off her hair, ditch her burqa, and pretend she’s a boy in
order to earn money to feed her family (her male relatives are all dead from
the various wars).
RIYL: Seeing what questionable
foreign policy can lead to.
Elephant
Release date: TBD
The skinny: Gus Van Sant won the Golden
Palm and Best Director at Cannes for what amounts to a graphic re-creation of
the Columbine massacre. It’s one of the most overrated films of 2003, so I
guess it makes sense that Elephant edged out the even more overrated Mystic
River at Cannes.
RIYL: Shots of teenagers walking
in slow motion.
Monsieur
Ibrahim
Release date: TBD
The skinny: Little Momo doesn’t get
along with his nasty father, so he strikes up a friendship with a Turkish
shopkeeper (Omar Sharif) who takes the teenage Parisian under his wing and
introduces him to a glorious and magical world of flying carpets and filling
the cherry Squishy machine.
RIYL: Heartwarming dramas about
grown men befriending young boys, but not taking them to their creepy Neverland
ranch.
At
the Dryden
The Dryden Theatre has something for everyone this
winter, whether you’re looking for Super Bowl counter programming (the six-hour
La
Commune on February 1), allegedly anti-American shorts from the world’s
top filmmakers (11’09″01 on January 31), a slew of Beatles flicks (continuing
through January and February), seven Elia Kazan movies (throughout March), and
pairs of films from Lars Von Trier, Alfred Hitchcock, and Russ Meyer.
ย ย ย ย ย ย ย ย ย The
Dryden will also screen Rochester premieres of Claire Denis’s Friday
Night (February 13), Rolf de Heer’s controversial Alexandra’s Project (March 13), Alex Proyas’s Garage Days (March 19), and the
Dardenne’s Cannes-winning Rosetta (March 26). When Mark
Moskowitz visits on February 21, he’ll unspool his critically acclaimed Stone
Reader.
This article appears in Jan 14-20, 2004.
